Who is trixie whitley mother




















Trixie began playing the drums when she was As the daughter of singer-songwriter Chris Whitley, she began her musical career playing with her father, and recording on several of his albums. Whitley has released three solo EPs, is a member of Black Dub, and was the vocalist on their self-titled debut album. In following the passing of her father, she continued to write and record her own material. That summer, she was invited to present two shows at the Montreal International Jazz Festival.

She grew up performing in theater and dance companies and became a DJ in Belgium as a teenager. In late , producer Daniel Lanois contacted Trixie and invited her to the Berklee College of Music, where he was in residence. In and as she toured the world performing with Black Dub , which included canadian musician and producer Daniel Lanois, she was offered 2 lead roles for independent feature films which she turned down due to the touring schedule. During the Black Dub recording sessions, she also recorded her second EP, The Engine, featuring her own music, and began preparing to record her debut as a leader.

Ranked on the list of most popular Songwriter. Also ranked in the elit list of famous celebrity born in Belgium. In the end the chemistry was right, Trixie signed on, and within months Black Dub was in the studio. She was 18, with a well of expressive talent and a huge voice.

Critics likened her to Joss Stone, the soulful English contralto also prone to bluesy vocal gymnastics, who had broken big a few years earlier and who likewise had recently joined a mega-band, SuperHeavy, with Dave Stewart, Damian Marley, and Mick Jagger.

But for Trixie, being just the singer in the group left her hungry for more. Dan was the leader of the band. We were his tools. In the end, though, I think he saw there was more to me than just my vocal abilities.

Moving forward, her commitment to serving her many-pronged muse has only become more emphatic. The philosophy of this record is really marrying all these influences, staying as true as I possibly can to the core of what I do, and just trimming all the fat on every level I possibly can.

Dense and intense, they swirl with undercurrents. When asked which song pleases her most, Whitley names the title track. She owns up to being synaesthetic, the neurological condition in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Whitley reveals that she perceives music visually.

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